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dc.contributor.author | Hupperetz, Wim![]() |
es_ES |
dc.contributor.author | Carlani, Raffaele![]() |
es_ES |
dc.contributor.author | Pletinckx, Daniel![]() |
es_ES |
dc.contributor.author | Pietroni, Eva![]() |
es_ES |
dc.coverage.spatial | east=12.0973997; north=41.99670039999999; name=Itàlia | es_ES |
dc.date.accessioned | 2020-03-12T12:16:15Z | |
dc.date.available | 2020-03-12T12:16:15Z | |
dc.date.issued | 2012-11-18 | |
dc.identifier.uri | http://hdl.handle.net/10251/138795 | |
dc.description.abstract | [EN] In the “Etruscanning3D” european project framework, the virtual reconstruction of the Regolini Galassi tomb, in Cerveteri, has been realized, in order to recontextualize its precious funerary goods, today preserved in the vatican Museums, in their ancient space, digitally represented in 3D. The reconstruction has been preceded by a huge work of data collection, reinterpretations, topographical acquisitions through a variety of techniques, digital restorations, in order to create a plausible simulation of how the tomb could appear when it was closed, at the half of the VII century BC. The final purpose of the VR application is communication inside museums, so the narrative approach and the metaphors of interactions played another key role. | es_ES |
dc.description.abstract | [ES] En el proyecto europeo “Etruscanning3D” basado en la reconstrucción virtual de la tumba Regolini Galassi, en Cerveteri, se ha realizado con el fin de volver a contextualizar sus valiosos bienes funerarios, hoy conservados en los Museos Vaticanos, en su espacio original representado digitalmente en 3D. La reconstrucción ha estado precedida por un enorme trabajo de recopilación de datos, reinterpretaciones, adquisiciones topográficas a través de una gran variedad de técnicas,restauraciones digitales, etc., con el objetivo de crear una simulación plausible sobre el aspecto que pudo presentar la tumba cuando se cerró, a mediados del siglo VII antes de Cristo. El objetivo final de la aplicación VR ha sido generar un sistema de comunicación utilizable en el interior de los museos, por lo que el enfoque narrativo y las metáforas de interacción han jugado un papel clave. | es_ES |
dc.language | Inglés | es_ES |
dc.publisher | Universitat Politècnica de València | es_ES |
dc.relation.ispartof | Virtual Archaeology Review | es_ES |
dc.rights | Reconocimiento - No comercial - Sin obra derivada (by-nc-nd) | es_ES |
dc.subject | Etruscans | es_ES |
dc.subject | Digital recreation of ancient contexts | es_ES |
dc.subject | Digital restoration | es_ES |
dc.subject | Virtual reality | es_ES |
dc.subject | Communication | es_ES |
dc.subject | Natural interaction | es_ES |
dc.subject | Etruscos | es_ES |
dc.subject | Recreación digital de contextos antiguos | es_ES |
dc.subject | Restauración digital | es_ES |
dc.subject | Realidad virtual | es_ES |
dc.subject | Comunicación | es_ES |
dc.subject | Interacción natural | es_ES |
dc.title | Etruscanning 3D project. The 3D reconstruction of the Regolini Galassi Tomb as a research tool and a new approach in storytelling | es_ES |
dc.type | Artículo | es_ES |
dc.identifier.doi | 10.4995/var.2012.4395 | |
dc.rights.accessRights | Abierto | es_ES |
dc.description.bibliographicCitation | Hupperetz, W.; Carlani, R.; Pletinckx, D.; Pietroni, E. (2012). Etruscanning 3D project. The 3D reconstruction of the Regolini Galassi Tomb as a research tool and a new approach in storytelling. Virtual Archaeology Review. 3(7):92-96. https://doi.org/10.4995/var.2012.4395 | es_ES |
dc.description.accrualMethod | OJS | es_ES |
dc.relation.publisherversion | https://doi.org/10.4995/var.2012.4395 | es_ES |
dc.description.upvformatpinicio | 92 | es_ES |
dc.description.upvformatpfin | 96 | es_ES |
dc.type.version | info:eu-repo/semantics/publishedVersion | es_ES |
dc.description.volume | 3 | es_ES |
dc.description.issue | 7 | es_ES |
dc.identifier.eissn | 1989-9947 | |
dc.relation.pasarela | OJS\4395 | es_ES |
dc.description.references | ANTINUCCI, F. (2004): Comunicare il museo, Laterza, Roma. | es_ES |
dc.description.references | AA.VV. (2001): Principi Etruschi tra Mediterraneo ed Europa, catalogo mostra (Bologna 2000-2001), Venezia 2000. | es_ES |
dc.description.references | COLONNA, G. DI PAOLO, E. (1999): "Il letto vuoto, la distribuzione del corredo e la <> della Tomba Regolini Galassi", in Etrusca et Italica, scritti in memoria di Massimo Pallottino edited by Università La Sapienza, Dip. Di Scienze Storiche, Archelogiche ed Antropologiche dell'Antichità_sez. Di Etruscologia &CNR, Vol.I, Istituti Editoriali e Poligrafici Internazionali, Pisa-Roma. | es_ES |
dc.description.references | FORTE, M. (2008): "La Villa di Livia, un percorso di ricerca di archeologia virtuale", ed. Erma di Bretschneider, Roma | es_ES |
dc.description.references | FORTE, M., PIETRONI, E., RUFA, C. (2002): "Musealisin the Virtual: The Virtual Reality Project of the Scrovegni Chapel of Padua", in VSMM 2002, Proceedings of the Eighth International Conference on Virtual Systems and Multimedia-"Creative and Digital Culture". Gyeonggju, Korea, 25-27 September 200, pp. 43-52. | es_ES |
dc.description.references | HUPPERETZ ,W., PIETRONI, E., PLETINCKX, D., SANNIBALE, M. (2011): "The Regolini Galassi Tomb revisited. 3D reconstruction as a research instrument", in Etruscans, eminet women and powerful men, edited by Patricia S. Lulof, Iefke van Kampen, ed. W Books, pp. 172- 176. | es_ES |
dc.description.references | MELLET-D'HUART, D. (2006): "A Model of (En)Action to approach Embodiment: A Cornerstone for the Design of Virtual Environments for Learning", in WIN W. & HEDLEY N., Eds. Journal of Virtual reality, special issue on education. Springer London. Volume 10, Numbers 3-4 / December, 2006, pp. 253-269. http://dx.doi.org/10.1007/s10055-006-0038-2 | es_ES |
dc.description.references | PARETI, L. (1947): La Tomba Regolini - Galassi del Museo Gregoriano Etrusco e la civiltà dell'Italia centrale nel sec. VII a.C., Città del Vaticano 1947. | es_ES |
dc.description.references | SANNIBALE, M. (2008): "Gli ori della Tomba Regolini-Galassi: tra tecnologia e simbolo. Nuove proposte di lettura nel quadro del fenómeno Orientalizzante in Etruria", in MEFRA 120.2, pp. 337-367. | es_ES |
dc.description.references | SANNIBALE, M. (2008): "Iconografie e simboli orientali nelle corti dei principi etruschi", in Byrsa 7,1-2, pp. 85-123. | es_ES |
dc.description.references | SANNIBALE, M. (1995): "Osservazioni su alcuni argenti della tomba Regolini Galassi: tecniche antiche e interventi moderni", in E. Formigli (ed.), Preziosi in Orio, Avorio, Osso e Corno. Arte e tecniche degli artigiani etruschi, Atti del seminario di studi ed esperimenti (Murlo 1992), Siena, pp. 89-98. | es_ES |
dc.description.references | SANNIBALE, M., BURANELLI, F. (2003): "Vaticano. Museo Gregoriano Etrusco", Milano, pp. 35-214. | es_ES |