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dc.contributor.author | Grisoni, Michela M.![]() |
es_ES |
dc.date.accessioned | 2023-01-11T08:27:19Z | |
dc.date.available | 2023-01-11T08:27:19Z | |
dc.date.issued | 2022-12-23 | |
dc.identifier.issn | 1136-758X | |
dc.identifier.uri | http://hdl.handle.net/10251/191216 | |
dc.description.abstract | [EN] Comparing John Ruskin and Viollet-le-Duc to highlight their opposing approaches to protecting the past is frequent when reading about them and is indeed valid and effective. Here we take this approach, moving along with their travels in Italy which also have never been compared. Interpreting preservation as conservation and maintenance on one hand, or restoration and repair on the other are the opposing strategies upheld by these two authoritative figures in European cultural attitudes to restoration in the mid-19th century. Focusing on the 1830s, and their first visits to Italy implies grasping how their experience of architecture, landscape, and Italian society influenced their later reflections on conservation. The aim is to highlight the impact on contemporary and future generations of a concept of the monument as a lasting object, that can be repaired and perfected, rather than a live one, because it is marked by time, and conditioned by the nature of the places and local traditions. | es_ES |
dc.description.abstract | [ES] La puesta en paralelo de dos maneras opuestas de entender la protección del legado arquitectónico, la de John Ruskin y la de Eugène Viollet-le-Duc, comportan una clave de lectura reiterada, objetivamente válida y eficaz. El presente texto retoma esta confrontación en el ámbito de sus viajes a Italia. Entender la tutela como conservación y mantenimiento, en un caso, o como restauración y reparación, en el otro, constituyen enfoques contrapuestos que influyeron significativamente en la cultura europea de la restauración de mediados del siglo XIX. El foco puesto en los años treinta y en sus primeros viajes por Italia permite comparar las premisas de sus reflexiones sobre la experiencia de la arquitectura, el paisaje y la sociedad italianos. Se pretende subrayar el impacto en las generaciones coetáneas y contemporáneas de una concepción de «monumento» como objeto perdurable, en tanto que reparable y mejorable, antes que como realidad efímera, por estar marcado por el tiempo y condicionado por la naturaleza del lugar y las tradiciones locales. | es_ES |
dc.language | Español | es_ES |
dc.language | Inglés | es_ES |
dc.publisher | Universitat Politècnica de València | es_ES |
dc.relation.ispartof | Loggia, Arquitectura & Restauración | es_ES |
dc.rights | Reconocimiento - No comercial - Sin obra derivada (by-nc-nd) | es_ES |
dc.subject | Restoration vs preservation | es_ES |
dc.subject | Modern vs vernacular architecture | es_ES |
dc.subject | Milan | es_ES |
dc.subject | Lake Como | es_ES |
dc.subject | Restauración versus conservación | es_ES |
dc.subject | Arquitectura moderna versus vernácula | es_ES |
dc.subject | Milán | es_ES |
dc.subject | Lago de Como | es_ES |
dc.title | Aventuras italianas 1835-1837. Los primeros viajes a Italia de Ruskin y Viollet-le-Duc | es_ES |
dc.title.alternative | Italian backgrounds. 1835-1837. Ruskin and Viollet-le-Duc early travels in Italy | es_ES |
dc.type | Artículo | es_ES |
dc.identifier.doi | 10.4995/loggia.2022.17846 | |
dc.rights.accessRights | Abierto | es_ES |
dc.description.bibliographicCitation | Grisoni, MM. (2022). Aventuras italianas 1835-1837. Los primeros viajes a Italia de Ruskin y Viollet-le-Duc. Loggia, Arquitectura & Restauración. (35):8-27. https://doi.org/10.4995/loggia.2022.17846 | es_ES |
dc.description.accrualMethod | OJS | es_ES |
dc.relation.publisherversion | https://doi.org/10.4995/loggia.2022.17846 | es_ES |
dc.description.upvformatpinicio | 8 | es_ES |
dc.description.upvformatpfin | 27 | es_ES |
dc.type.version | info:eu-repo/semantics/publishedVersion | es_ES |
dc.description.issue | 35 | es_ES |
dc.relation.pasarela | OJS\17846 | es_ES |
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